Difference between revisions of "Sabian Signature Evelyn Glennie's Garbage 16""
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'''Alloy:''' [[Alloys#Nickel Silver|Nickel Silver]]<br> | '''Alloy:''' [[Alloys#Nickel Silver|Nickel Silver]]<br> | ||
'''Weight:''' 1006g<br> | '''Weight:''' 1006g<br> | ||
| − | '''Years of production:''' ?<br> | + | '''Years of production:''' 1997 - ?<br> |
'''Sound file:''' [https://youtu.be/iLFGuPS-eXA?si=wqZA13Nc9OY4RjW6 Signature Glennie's Garbage 16"]<br> | '''Sound file:''' [https://youtu.be/iLFGuPS-eXA?si=wqZA13Nc9OY4RjW6 Signature Glennie's Garbage 16"]<br> | ||
'''Sabian's Description:''' [[Sabian Evelyn Glennie's Garbage#Signature|<<< - >>>]]<br> | '''Sabian's Description:''' [[Sabian Evelyn Glennie's Garbage#Signature|<<< - >>>]]<br> | ||
| − | '''Review''': | + | '''Review''': "I preferred the two larger models, which opened up a little more into their lower cawhh sound. <br> |
| − | Review written by <br> | + | Though pleasantly exotic and mysterious-sounding when played lightly, like the Radias these cymbals pretty much beg to be bashed. Even then (and this is one area where I differ with Sabian's description of their sound), their sound is not particularly cutting. For this reason, they work best for inter-pattern punctuation and accents (versus standard post-fill crash functions). I found them to be equally effective when supported with snare drum or kick, and because of their low pitch, fast response, and nearly instant decay, they provide great "voice leading" and timbral contrast when played on pickups to other, brighter-sounding crashes."<br> |
| + | Review written by Rich Watson ("Product Close-Up - Sabian Signature Cymbals", Modern Drummer, June 1998, p.46) <br> | ||
'''Artist/song where it can be heard:''' | '''Artist/song where it can be heard:''' | ||
Latest revision as of 23:31, 11 February 2024
Group: Other
Type: Evelyn Glennie's Garbage
Size: 16 Inch
Series: Signature
Alloy: Nickel Silver
Weight: 1006g
Years of production: 1997 - ?
Sound file: Signature Glennie's Garbage 16"
Sabian's Description: <<< - >>>
Review: "I preferred the two larger models, which opened up a little more into their lower cawhh sound.
Though pleasantly exotic and mysterious-sounding when played lightly, like the Radias these cymbals pretty much beg to be bashed. Even then (and this is one area where I differ with Sabian's description of their sound), their sound is not particularly cutting. For this reason, they work best for inter-pattern punctuation and accents (versus standard post-fill crash functions). I found them to be equally effective when supported with snare drum or kick, and because of their low pitch, fast response, and nearly instant decay, they provide great "voice leading" and timbral contrast when played on pickups to other, brighter-sounding crashes."
Review written by Rich Watson ("Product Close-Up - Sabian Signature Cymbals", Modern Drummer, June 1998, p.46)
Artist/song where it can be heard:
