Difference between revisions of "A Custom 14" Mastersound Hi-Hat"
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'''Size:''' 14 Inch<br> | '''Size:''' 14 Inch<br> | ||
'''Series:''' [[A Custom#A Custom|A Custom]]<br> | '''Series:''' [[A Custom#A Custom|A Custom]]<br> | ||
| − | '''Weight:''' Top: 978g / Bottom: 1100g | + | '''Weight:''' Top: 978g / Bottom: 1100g <br> ::Top: 982g / Bottom: 1330g <br> |
| − | Top: 990g / Bottom: 1260g (2014 Serial Numbers) | + | ::Top: 988g / Bottom: 1210g<br> |
| − | Top: 1049g | Bottom: 1241g | + | ::Top: 990g / Bottom: 1260g (2014 Serial Numbers) <br> |
| + | ::Top: 992g / Bottom: 1144g<br> | ||
| + | ::Top: 1020g / Bottom: 1158g <br> | ||
| + | ::Top: 1049g | Bottom: 1241g <br> | ||
| + | :: Top: 1090g / Bottom: 1312g <br> | ||
| + | :: Top: 1110g / Bottom: 1229g (1998 Serial Numbers)<br> | ||
| + | ::Bottom: 1237g (2001 Serial Number)<br> | ||
| + | '''Median Weight ''': Top: 992g (n=9) / Bottom: 1233g (n=10)<br> | ||
'''Years of production:''' 1998 - Present<br> | '''Years of production:''' 1998 - Present<br> | ||
'''Sound file:''' [https://youtu.be/C0gGN9VXg_U?si=H_L9s66STXKMsWRM A Custom 14" Mastersound Hi-Hat]<br> | '''Sound file:''' [https://youtu.be/C0gGN9VXg_U?si=H_L9s66STXKMsWRM A Custom 14" Mastersound Hi-Hat]<br> | ||
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'''Zildjian's Description:''' [[Zildjian Mastersound Hi-Hat#A Custom|<<< - >>>]]<br> | '''Zildjian's Description:''' [[Zildjian Mastersound Hi-Hat#A Custom|<<< - >>>]]<br> | ||
'''Review:''' "So just what's the deal with the Mastersound line? Well, in an attempt to eliminate "air lock" (you know, that lousy-feeling and-sounding occurrence that happens when air gets trapped between two closing hi-hat cymbals), Mastersounds have a specially designed bottom cymbal that has little crimps along the edge that let the air that's trapped between the cymbals escape. <br> | '''Review:''' "So just what's the deal with the Mastersound line? Well, in an attempt to eliminate "air lock" (you know, that lousy-feeling and-sounding occurrence that happens when air gets trapped between two closing hi-hat cymbals), Mastersounds have a specially designed bottom cymbal that has little crimps along the edge that let the air that's trapped between the cymbals escape. <br> | ||
| + | |||
Does the design work? In a word, yes. I didn't experience any air-lock problems with the Mastersounds in either the 13" or 14" K or A Custom models. That made for a very consistent chick sound (although not noticeably louder, as you might expect). The hats had a fast, easy-to-move feel to them, even when I was pulsing out fast 8th notes with my foot. And the ol' heel-toe rocking motion on 2 and 4 felt effortless, with no annoying burps bubbling up between the cymbals.<br> | Does the design work? In a word, yes. I didn't experience any air-lock problems with the Mastersounds in either the 13" or 14" K or A Custom models. That made for a very consistent chick sound (although not noticeably louder, as you might expect). The hats had a fast, easy-to-move feel to them, even when I was pulsing out fast 8th notes with my foot. And the ol' heel-toe rocking motion on 2 and 4 felt effortless, with no annoying burps bubbling up between the cymbals.<br> | ||
| + | |||
I did notice a couple of general characteristics about the sound of all the Mastersounds. First, the overall stick sound is on the thin side, even in the K line, which would normally be where you'd hear fuller tones. (The 13s in the A Custom line—the brightest-sounding combination—are very thin and glassy sounding.) The chick is not overly "cutting," and the splash sound on all the hats is pleasant, although a little light.<br> | I did notice a couple of general characteristics about the sound of all the Mastersounds. First, the overall stick sound is on the thin side, even in the K line, which would normally be where you'd hear fuller tones. (The 13s in the A Custom line—the brightest-sounding combination—are very thin and glassy sounding.) The chick is not overly "cutting," and the splash sound on all the hats is pleasant, although a little light.<br> | ||
| + | |||
Drummers who like a slightly more controlled-sounding pair of hats, one that won't overshadow the musical setting, will dig the Mastersounds. (I would imagine they'd be a breeze to record.) My favorites of the bunch were the 14" A Customs, and I particularly liked riding on them half-open. Their higher pitch combined with that indefinable A Custom tone made for a killer "wash" sound.<br> | Drummers who like a slightly more controlled-sounding pair of hats, one that won't overshadow the musical setting, will dig the Mastersounds. (I would imagine they'd be a breeze to record.) My favorites of the bunch were the 14" A Customs, and I particularly liked riding on them half-open. Their higher pitch combined with that indefinable A Custom tone made for a killer "wash" sound.<br> | ||
Of course, let's not forget their best feature: no trouble with airlock. The Mastersounds solve that problem.. .well.. .masterfully."<br> | Of course, let's not forget their best feature: no trouble with airlock. The Mastersounds solve that problem.. .well.. .masterfully."<br> | ||
| + | |||
Review written by William F. Miller ("Zildjian K And A Custom Mastersound Hi-Hats", Modern Drummer, March 2000, p. 48)<br> | Review written by William F. Miller ("Zildjian K And A Custom Mastersound Hi-Hats", Modern Drummer, March 2000, p. 48)<br> | ||
| + | |||
''' Artist/song where it can be heard:''' | ''' Artist/song where it can be heard:''' | ||
Latest revision as of 00:29, 28 November 2024
Group: Hi-Hats
Type: Mastersound Hi-Hat
Size: 14 Inch
Series: A Custom
Weight: Top: 978g / Bottom: 1100g
::Top: 982g / Bottom: 1330g
- Top: 988g / Bottom: 1210g
- Top: 990g / Bottom: 1260g (2014 Serial Numbers)
- Top: 992g / Bottom: 1144g
- Top: 1020g / Bottom: 1158g
- Top: 1049g | Bottom: 1241g
- Top: 1090g / Bottom: 1312g
- Top: 1110g / Bottom: 1229g (1998 Serial Numbers)
- Bottom: 1237g (2001 Serial Number)
- Top: 988g / Bottom: 1210g
Median Weight : Top: 992g (n=9) / Bottom: 1233g (n=10)
Years of production: 1998 - Present
Sound file: A Custom 14" Mastersound Hi-Hat
A Custom 14" Mastersound Hi-Hat
A Custom 14" Mastersound Hi-Hat
A Custom 14" Mastersound Hi-Hat
A Custom 14" Mastersound Hi-Hat
Zildjian's Description: <<< - >>>
Review: "So just what's the deal with the Mastersound line? Well, in an attempt to eliminate "air lock" (you know, that lousy-feeling and-sounding occurrence that happens when air gets trapped between two closing hi-hat cymbals), Mastersounds have a specially designed bottom cymbal that has little crimps along the edge that let the air that's trapped between the cymbals escape.
Does the design work? In a word, yes. I didn't experience any air-lock problems with the Mastersounds in either the 13" or 14" K or A Custom models. That made for a very consistent chick sound (although not noticeably louder, as you might expect). The hats had a fast, easy-to-move feel to them, even when I was pulsing out fast 8th notes with my foot. And the ol' heel-toe rocking motion on 2 and 4 felt effortless, with no annoying burps bubbling up between the cymbals.
I did notice a couple of general characteristics about the sound of all the Mastersounds. First, the overall stick sound is on the thin side, even in the K line, which would normally be where you'd hear fuller tones. (The 13s in the A Custom line—the brightest-sounding combination—are very thin and glassy sounding.) The chick is not overly "cutting," and the splash sound on all the hats is pleasant, although a little light.
Drummers who like a slightly more controlled-sounding pair of hats, one that won't overshadow the musical setting, will dig the Mastersounds. (I would imagine they'd be a breeze to record.) My favorites of the bunch were the 14" A Customs, and I particularly liked riding on them half-open. Their higher pitch combined with that indefinable A Custom tone made for a killer "wash" sound.
Of course, let's not forget their best feature: no trouble with airlock. The Mastersounds solve that problem.. .well.. .masterfully."
Review written by William F. Miller ("Zildjian K And A Custom Mastersound Hi-Hats", Modern Drummer, March 2000, p. 48)
Artist/song where it can be heard:
