Difference between revisions of "Sabian Signature Evelyn Glennie's Garbage 10""
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[[File:Sabian Signature 10 EG Garbage 1.jpg|thumb|right|450px]] | [[File:Sabian Signature 10 EG Garbage 1.jpg|thumb|right|450px]] | ||
[[File:Sabian Signature 10 EG Garbage 2.jpg|thumb|right|450px]] | [[File:Sabian Signature 10 EG Garbage 2.jpg|thumb|right|450px]] | ||
| − | '''Group:''' [[Sabian | + | '''Group:''' [[Sabian Types and Models#Other|Other]]<br> |
'''Type:''' [[Sabian Evelyn Glennie's Garbage|Evelyn Glennie's Garbage]]<br> | '''Type:''' [[Sabian Evelyn Glennie's Garbage|Evelyn Glennie's Garbage]]<br> | ||
'''Size:''' 10 Inch<br> | '''Size:''' 10 Inch<br> | ||
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'''Review''': "To my ear, the smallest of the three produced a kind of bong sound that didn't exactly turn my musical crank. <br> | '''Review''': "To my ear, the smallest of the three produced a kind of bong sound that didn't exactly turn my musical crank. <br> | ||
Though pleasantly exotic and mysterious-sounding when played lightly, like the Radias these cymbals pretty much beg to be bashed. Even then (and this is one area where I differ with Sabian's description of their sound), their sound is not particularly cutting. For this reason, they work best for inter-pattern punctuation and accents (versus standard post-fill crash functions). I found them to be equally effective when supported with snare drum or kick, and because of their low pitch, fast response, and nearly instant decay, they provide great "voice leading" and timbral contrast when played on pickups to other, brighter-sounding crashes."<br> | Though pleasantly exotic and mysterious-sounding when played lightly, like the Radias these cymbals pretty much beg to be bashed. Even then (and this is one area where I differ with Sabian's description of their sound), their sound is not particularly cutting. For this reason, they work best for inter-pattern punctuation and accents (versus standard post-fill crash functions). I found them to be equally effective when supported with snare drum or kick, and because of their low pitch, fast response, and nearly instant decay, they provide great "voice leading" and timbral contrast when played on pickups to other, brighter-sounding crashes."<br> | ||
| + | |||
Review written by Rich Watson ("Product Close-Up - Sabian Signature Cymbals", Modern Drummer, June 1998, p.46) <br> | Review written by Rich Watson ("Product Close-Up - Sabian Signature Cymbals", Modern Drummer, June 1998, p.46) <br> | ||
| + | |||
'''Artist/song where it can be heard:''' | '''Artist/song where it can be heard:''' | ||
Latest revision as of 03:25, 12 January 2025
Group: Other
Type: Evelyn Glennie's Garbage
Size: 10 Inch
Series: Signature
Alloy: Nickel Silver
Weight: 408g, 410g
Years of production: 1997 - ?
Sound file: Signature Glennie's Garbage 10"
Sabian's Description: <<< - >>>
Review: "To my ear, the smallest of the three produced a kind of bong sound that didn't exactly turn my musical crank.
Though pleasantly exotic and mysterious-sounding when played lightly, like the Radias these cymbals pretty much beg to be bashed. Even then (and this is one area where I differ with Sabian's description of their sound), their sound is not particularly cutting. For this reason, they work best for inter-pattern punctuation and accents (versus standard post-fill crash functions). I found them to be equally effective when supported with snare drum or kick, and because of their low pitch, fast response, and nearly instant decay, they provide great "voice leading" and timbral contrast when played on pickups to other, brighter-sounding crashes."
Review written by Rich Watson ("Product Close-Up - Sabian Signature Cymbals", Modern Drummer, June 1998, p.46)
Artist/song where it can be heard:
