Difference between revisions of "Meinl Byzance Jazz"
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'''Quality:''' Professional<br> | '''Quality:''' Professional<br> | ||
'''Applications:''' Live and Studio<br> | '''Applications:''' Live and Studio<br> | ||
| − | '''Production:''' Made in Turkey from B20 bronze, hand-hammered into shape, narrow blade lathing, and traditional finish. | + | '''Production:''' Made in Turkey from B20 bronze, hand-hammered into shape, narrow blade lathing, and traditional finish.<br> |
'''Sound:''' Byzance Jazz offers a deep well of expressive cymbals that draws players in. The hihats have a smooth and subtle response, and the crashes are known for a buttery feel that only develops from their hand-hammered profiles. In addition, many unique and complex ride cymbals have been created within this line to help you find your voice behind the kit. <br> | '''Sound:''' Byzance Jazz offers a deep well of expressive cymbals that draws players in. The hihats have a smooth and subtle response, and the crashes are known for a buttery feel that only develops from their hand-hammered profiles. In addition, many unique and complex ride cymbals have been created within this line to help you find your voice behind the kit. <br> | ||
Revision as of 15:15, 29 November 2024
Introduction: 2007*
Background:
Innovation: Cymbals are cast, hand hammered, and lathed in Turkey, then sent to the Meinl facility in Germany to be finished.
Alloy: B20
Quality: Professional
Applications: Live and Studio
Production: Made in Turkey from B20 bronze, hand-hammered into shape, narrow blade lathing, and traditional finish.
Sound: Byzance Jazz offers a deep well of expressive cymbals that draws players in. The hihats have a smooth and subtle response, and the crashes are known for a buttery feel that only develops from their hand-hammered profiles. In addition, many unique and complex ride cymbals have been created within this line to help you find your voice behind the kit.
More models and sizes to be added later
Rides
Crashes
Hi-Hats
Chinas
Splashes and Bells
Source:
(*) Modern Drummer, July 2007, p.32
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