http://www.cymbal.wiki/wiki/index.php?action=history&feed=atom&title=Orion_Strondo_19%22_Rock_Crash 2026-04-15T11:25:42Z Revision history for this page on the wiki MediaWiki 1.32.4 http://www.cymbal.wiki/wiki/index.php?title=Orion_Strondo_19%22_Rock_Crash&diff=47159&oldid=prev 2024-08-11T23:28:17Z

<p>Created page with &quot;__NOEDITSECTION__ &lt;div style=&quot;float:right&quot;&gt;__TOC__&lt;/div&gt; &#039;&#039;&#039;Group:&#039;&#039;&#039; <a href="/wiki/index.php?title=Orion_Types_and_Models&amp;action=edit&amp;redlink=1" class="new" title="Orion Types and Models (page does not exist)">Crashes</a>&lt;br&gt; &#039;&#039;&#039;Type:&#039;&#039;&#039; <a href="/wiki/index.php?title=Orion_Rock_Crash&amp;action=edit&amp;redlink=1" class="new" title="Orion Rock Crash (page does not exist)">Rock Crash</a>&lt;br&gt; &#039;&#039;&#039;Size:&#039;&#039;...&quot;</p> <p><b>New page</b></p><div>__NOEDITSECTION__<br /> &lt;div style=&quot;float:right&quot;&gt;__TOC__&lt;/div&gt;<br /> '''Group:''' [[Orion Types and Models#Crashes|Crashes]]&lt;br&gt;<br /> '''Type:''' [[Orion Rock Crash|Rock Crash]]&lt;br&gt;<br /> '''Size:''' 19 Inch&lt;br&gt;<br /> '''Series:''' [[Orion Strondo|Strondo]]&lt;br&gt;<br /> '''Weight:''' ?g &lt;br&gt;<br /> '''Years of production:''' 2006 - ?&lt;br&gt;<br /> '''Sound File:''' unknown &lt;br&gt;<br /> '''Orion's Description:''' [[Orion Rock Crash#Strondo|&lt;&lt;&lt; - &gt;&gt;&gt;]]&lt;br&gt;<br /> '''Review:''' &quot;Our review batch included 17&quot;, 18&quot;, and 19&quot; Rock crashes. Orion states that these cymbals are geared to heavy-hitting rock drummers. Accordingly, I suspected that they would be clear, loud, and cutting. They were. Their properties were enhanced by what appeared to be sideswiped welts on the surface of the cymbals, put there to ensure brightness and sonic control. <br /> <br /> The one thing I couldn’t foresee was the physical effect these cymbals had on my body. The first time I played the Strondo crashes, I felt a sharp stinging sensation shooting through my hands and arm. The cymbals were so responsive, I had to adjust my playing style slightly to make sure I was hitting the cymbals on their “sweet and safe spots” to avoid that wonky feeling in my hands. Despite this, I enjoyed using the cymbals and was quite taken by their vibrancy. <br /> <br /> The 19&quot; crash was the clear standout. It just made me feel good to play it, especially when I accompanied it with a snare blast. The overtones were not overbearing, the decay was not too long, and the pop, while loud, did not stick out like a sore thumb in the musical mix. It was loud without being oppressive. <br /> <br /> In one test session I set up all three crash cymbals straight across the front of my kit, and played them as an “ensemble.” I played dynamic fills, dividing beats between the snare, toms, and cymbals. A cutting, near-lethal wash lingered shortly, but then quickly evaporated. It sounded absolutely amazing: crisp and loud, with lots of wetness. At one point I thought I was listening to recorded, processed drums. This prospect might turn off some readers, but it’s just one example of how professional these cymbals sounded when played.&quot; &lt;br&gt;<br /> <br /> Review written by Will Romano (&quot;Product Close-Up - Orion Strondo Series Cymbals - These Brazilian Beauties Speak In Many Tongues&quot;, Modern Drummer, July 2006, p. 40)&lt;br&gt;<br /> <br /> ''' Artist/song where it can be heard:'''</div>

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