Difference between revisions of "Paiste Stambul65"

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__NOEDITSECTION__
 
__NOEDITSECTION__
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== Stambul 65 ==
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== Stambul<small>65</small> ==
 
<div style="float:right">__TOC__</div>
 
<div style="float:right">__TOC__</div>
 
[[File:Stambul 65 logo.jpg|thumb|right|250px|Stambul 65 logo]]
 
[[File:Stambul 65 logo.jpg|thumb|right|250px|Stambul 65 logo]]
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'''Discontinued:''' 1974 (maybe sooner)<br>
 
'''Discontinued:''' 1974 (maybe sooner)<br>
  
−
'''Background:''' The Stambul ’65 was Paiste's first series entirely made of the B8 (2002 bronze) alloy.  
+
'''Background:''' The Stambul<small>65</small> was Paiste's first series entirely made of the B8 (2002 bronze) alloy.  
 
Released in 1965, the series was an important development that paved the way for the groundbreaking Giant Beat line and subsequently,  
 
Released in 1965, the series was an important development that paved the way for the groundbreaking Giant Beat line and subsequently,  
 
the crowning achievement of Paiste’s use of B8: the legendary 2002.<br>
 
the crowning achievement of Paiste’s use of B8: the legendary 2002.<br>
 +
Because of the name, the ‘65s tend to get lumped in with the regular "Stambul NS12" line.
 +
Many think the Stambul65 replaced the Stambul NS12 in 1965, but that is not the case.
 +
They were two different lines sold concurrently by Paiste in the late 60s and early 70s.
 +
The lines had two completely different emboss logos and the weight/type designations for each series was also different.<br>
 +
The more expensive Stambul65 was considered an upper class, mid-level cymbal bordering on professional quality, while the Stambul NS12 was strictly a middle class offering.
 +
The Stambul65 was discontinued first, made obsolete by the release of the 2002 in 1971.
 +
The Stambul "B8" (post '71) carried on for a longer period before eventually being replaced by the new 505 series in 1978.
 +
*Stambul65's are a bit overlooked these days, especially in the U.S., tending to get overshadowed in the collectors’ world by its more popular and ballyhooed successors, but make no mistake about it, these are some pretty nice-sounding B8 cymbals.
  
−
'''Innovation:''' Because of the name, the ‘65s tend to get lumped in with the regular "Stambul NS12" line.
+
'''Innovation:'''  
−
Many think the Stambul ’65 replaced the Stambul NS12 in 1965, but that is not the case.
+
.<br>
−
They were two different lines sold concurrently by Paiste in the late 60s and early 70s.
 
−
The lines had two completely different emboss logos and the weight/type designations for each series was also different.
 
−
The more expensive Stambul ’65 was considered an upper class, mid-level cymbal bordering on professional quality, while the Stambul NS12 was strictly a middle class offering.
 
−
The Stambul ’65 was discontinued first, made obsolete by the release of the 2002 in 1971.
 
−
The Stambul "B8" (post '71) carried on for a longer period before eventually being replaced by the new 505 series in 1978..<br>
 
  
 
'''Alloy:''' [[Identify_Your_Paistes#B8_.282002.29_Alloy|CuSn8]] (Also known as <b>"2002 Bronze"</b>)<br>
 
'''Alloy:''' [[Identify_Your_Paistes#B8_.282002.29_Alloy|CuSn8]] (Also known as <b>"2002 Bronze"</b>)<br>
Line 25: Line 28:
 
'''Quality:''' The Stambul ’65 was considered an upper class, mid-level cymbal bordering on professional quality<br>
 
'''Quality:''' The Stambul ’65 was considered an upper class, mid-level cymbal bordering on professional quality<br>
  
−
'''Production:''' The majority of Stambul ‘65s were made in Nottwil, but it’s not uncommon to see examples from the German factory, especially the marching cymbals. In addition to the emboss logo, Stambul ’65 made after 1971 will have a black ink Paiste logo and series name stamp at the 12 o’clock position above the bell and of course, the red ink type stamp at 3 o’clock should be on all well-preserved examples, no matter the year of the production.  
+
'''Production:''' The majority of Stambul65's were made in Nottwil, but it’s not uncommon to see examples from the German factory, especially the marching cymbals. In addition to the emboss logo, Stambul65's made after 1971 will have a black ink Paiste logo and series name stamp at the 12 o’clock position above the bell and of course, the red ink type stamp at 3 o’clock should be on all well-preserved examples, no matter the year of the production.  
 
<br>
 
<br>
  
Line 54: Line 57:
 
==== Concert ====  
 
==== Concert ====  
  
−
* '''[[Paiste Concert|Concert]] - [[Paiste Stambul65 Concert 17"|17"]] [[Paiste Stambul65 Concert 18"|18"]] [[Paiste Stambul65 Concert 20"|20"]]<br>
+
* '''[[Paiste Concert|Concert]] - [[Paiste Stambul65 Concert 17"|17"]] [[Paiste Stambul65 Concert 18"|18"]] [[Paiste Stambul65 Concert 20"|20"]]<br><br>
−
 
 
  
 +
<gallery>
 +
File:Paiste 63 catalog 2.jpg|Paiste 1965- '67 catalog
 +
File:Paiste stambul65 1966 advert.jpg|Paiste stambul65 1966 advert
 +
File:Paiste Catalog 1970.jpg|Paiste Catalog 1970
 +
File:Dallas Arbiter 1971-72 5.jpg|English distributor: Dallas Arbiter catalog 1971-'72
 +
</gallery>
 
----
 
----
  

Revision as of 18:21, 27 August 2021

Stambul65

Stambul 65 logo
Stambul 65 stamp
Pre '71 Stambul 65 thin crash note: no logo stamp
Post '71 Stambul 65 with black logo stamp

Introduction: 1965
Discontinued: 1974 (maybe sooner)

Background: The Stambul65 was Paiste's first series entirely made of the B8 (2002 bronze) alloy. Released in 1965, the series was an important development that paved the way for the groundbreaking Giant Beat line and subsequently, the crowning achievement of Paiste’s use of B8: the legendary 2002.
Because of the name, the ‘65s tend to get lumped in with the regular "Stambul NS12" line. Many think the Stambul65 replaced the Stambul NS12 in 1965, but that is not the case. They were two different lines sold concurrently by Paiste in the late 60s and early 70s. The lines had two completely different emboss logos and the weight/type designations for each series was also different.
The more expensive Stambul65 was considered an upper class, mid-level cymbal bordering on professional quality, while the Stambul NS12 was strictly a middle class offering. The Stambul65 was discontinued first, made obsolete by the release of the 2002 in 1971. The Stambul "B8" (post '71) carried on for a longer period before eventually being replaced by the new 505 series in 1978.

  • Stambul65's are a bit overlooked these days, especially in the U.S., tending to get overshadowed in the collectors’ world by its more popular and ballyhooed successors, but make no mistake about it, these are some pretty nice-sounding B8 cymbals.

Innovation: .

Alloy: CuSn8 (Also known as "2002 Bronze")

Quality: The Stambul ’65 was considered an upper class, mid-level cymbal bordering on professional quality

Production: The majority of Stambul65's were made in Nottwil, but it’s not uncommon to see examples from the German factory, especially the marching cymbals. In addition to the emboss logo, Stambul65's made after 1971 will have a black ink Paiste logo and series name stamp at the 12 o’clock position above the bell and of course, the red ink type stamp at 3 o’clock should be on all well-preserved examples, no matter the year of the production.

Applications:
Users:
Sound: Similar to Giant beats

Thin Crash

Medium

Medium Ride

Hi-Hats

Marching

Concert

  • Paiste 1965- '67 catalog

  • Paiste stambul65 1966 advert

  • Paiste Catalog 1970

  • English distributor: Dallas Arbiter catalog 1971-'72

Information from: Paiste Advertising, Todd Little, Dan Garza

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